· 3D and iMax are more expensive and have pushed average prices up.
· A lot of success for 3D films recently.
· In 2013, average ticket prices hit an all-time high.
The future for film has already been written
· It is now possible to make films at a low cost.
· Competition for audiences is fragmented (broken up) over multiple platforms e.g. games, online, TV.
· The film industry has changed due to changes in audience behaviour.
· The growth of social media has created a new audience – no longer passive but active creators, collaborators, distributors and even financiers of film.
Disney movies anywhere
· Disney have launched a digital movie locker – which allows users to store and stream digital versions of films.
· Allows users to buy a Disney, Marvel or Pixar film a single time to access on smartphone, tablet, computer or internet TV.
· Codes unlock digital copies + extra bonus features.
· Keychest is giving Ultraviolet a run for its money by offering extras.
· Currently only available on Apple TV, iPhone and iPad.
· Customers need an iTunes account to access it.
· Disney didn’t sign up for Ultraviolet and seemed behind but now they have caught up.
End of film
· Paramount pictures has become the first major studio to stop releasing movies on film.
· ‘The Wolf of Wall Street’ is the first major studio film that was released all digitally (there were no film copies).
· This is likely to encourage other studios to do the same.
· In 2011, Disney issued a warning to theatre operators that it would stop distributing films within a year or two.
· Theatres are installing satellite systems to digitally beam films into cinemas.
· Digital technology allows cinemas to screen higher priced 3D films.
· 92% of cinemas in America have already converted to digital.
How digital cinema works
· Digital production – quality is better than film, easier and cheaper.
· Main obstacle is nostalgia for film + familiarity.
· Digital means less work for distribution companies so their workforce would get smaller.
· Piracy is easier with digital films.
· Money is an obstacle - $150,000 to convert a theatre to digital – which will put many smaller cinemas out of business.
· Production + distribution companies save millions in switching to digital.
· Audiences prefer the look of digital.
· Convergence of home entertainment technology and professional theatre technology means audiences can have the cinema experience at home.
· Digital provides opportunities to improve surround sound, varied programing and interactive cinema.
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